Ruthanne: Rituals? Naw; I lack any salt-tossing or
tea-leaf-reading behaviors, though I should say I have definite “preferences.”
I prefer coffee-shops, or airports, or churches, or just about anywhere with
people moving around and doing things and talking a lot (which I heard recently
makes me a “kinetic creative,” but that’s neither here nor there). I love
having coffee at my side when I write. I love sitting down after I’ve completed
some kind of physical task, like doing the dishes or vacuuming the whole house
or exercising. It’s just easier to focus after I’ve gotten The Big Task
(whatever THAT is) out of the way.
Paul: What types of books
do you like to read? Who are your favorite authors? Why?
Ruthanne: I confess it: I LOVE urban fantasy. That
seamless integration of modern-world with ancient-magic tickles my fancy
something fierce, and that genre usually presents fairly colorful characters.
In no particular order, I love Patrick Rothfuss and Neil Gaiman and Sarah Rees
Brennan and Ilona Andrews and Faith Hunter and Max Brooks.
Paul: If someone had the
power to step into your creative mind what would they see?
Ruthanne: One vast world, one enormous story, covering
centuries and taking place from various characters’ viewpoints. It probably
won’t be obvious for some time, but when the books I have planned are all
finished, they’ll reveal a tapestry of stories interwoven into one grand epic.
Paul: Do you have a
favorite character in each of your series, aside from the lead? If so, which
one and why?
Ruthanne: I do… and it’s frustrating because nobody has
met him yet. Alex is an incredible hero, a brave and burdened young man with
die-hard determination and a soft heart – a trait that costs him dearly. I
don’t want to give any spoilers, so for now, I’ll say this: everybody has
burdens. Whether or not we carry a monkey on our back isn’t what makes us
great. It’s HOW we carry it that really matters.
Paul: How do you find the time to write?
Ruthanne: I have to carve it out of other activities. Here’s the thing:
free time does not fall out of the sky, at least not in my life. Taking the
time to create is a choice, and like every choice, there will be a price.
Sometimes that means sacrificing entertainment time. Sometimes it means working
late into the night, or getting up early in the morning.
The crucial thing to know is that the act of creation is WORTH IT. Fully, completely, totally worth it. It fulfills you as a human being, satisfies some deep, inner desire to mirror our original Creator, and helps to convince you that yes, you CAN do whatever you put your mind to do – even if it takes years to accomplish.
Amusingly, my husband can tell when I haven’t been writing. Evidently, when I can’t carve out that writing-time, I get positively twitchy.
The crucial thing to know is that the act of creation is WORTH IT. Fully, completely, totally worth it. It fulfills you as a human being, satisfies some deep, inner desire to mirror our original Creator, and helps to convince you that yes, you CAN do whatever you put your mind to do – even if it takes years to accomplish.
Amusingly, my husband can tell when I haven’t been writing. Evidently, when I can’t carve out that writing-time, I get positively twitchy.
Paul: What is one thing you hope I do not tell the
readers?
Ruthanne: Now, why would
I tell you that? Actually, truthfully, there is something, and it is this:
editing is a PITA [Paul: Pain in the…].
My lesson came the hard way. In my situation, I could not afford a professional editor (I still can’t), and so I had to rely on my eyes and the eyes of friends and family to find typos.
We found 90% of them – but that’s all. You’ll never be able to catch 100% on your own, and consistently, the only negative thing my readers have to say is that the remaining errors trip them up. To be fair, I’ve seen typos in NYT best-selling books, so I know I’m in good company. It still drives me a little crazy.
My plan is to have a “real” editor go over this manuscript before the second edition comes out. Of course, this is like telling you there are cracks in my building’s foundation. Darn you for asking that question! ;)
My lesson came the hard way. In my situation, I could not afford a professional editor (I still can’t), and so I had to rely on my eyes and the eyes of friends and family to find typos.
We found 90% of them – but that’s all. You’ll never be able to catch 100% on your own, and consistently, the only negative thing my readers have to say is that the remaining errors trip them up. To be fair, I’ve seen typos in NYT best-selling books, so I know I’m in good company. It still drives me a little crazy.
My plan is to have a “real” editor go over this manuscript before the second edition comes out. Of course, this is like telling you there are cracks in my building’s foundation. Darn you for asking that question! ;)
Paul: If you are self-published, what led to you
going your own way?
Ruthanne: Simple:
I consistently received personalized rejections from agents saying they loved
the story, but couldn’t publish it because it was too “unique,” too outside the
accepted formula for publication. The last rejection said outright that the
book was great, but he (the agent) could not sell it, because publishers were
afraid to take risks on anything different. I finally decided to just do it
myself.
I haven’t regretted that for even one moment.
I haven’t regretted that for even one moment.
Paul: Do you plot your stories or do you just get
an idea and run with it?
Ruthanne: I
try to plot, I really do. The writing never follows the plot, though, and what
usually ends up happening is I write and write and delete and delete and obsess
over my story until I dream about the thing, and the dream shows me the next
scene to write. So is that subconscious plotting? I have no idea. I’m just
grateful it happens.
Paul: Do you do a lot of editing or do you find
that as time goes on your writing is more fully-formed?
Ruthanne: I
edit like MAD. I don’t think anyone is ever truly finished editing. J There simply
comes a point when you have to stop, or you’ll never create anything else. (Yes,
even if you are still rife with typos.)
Paul: Do you have to do much research for your
stories?
Yes.
And then I end up not using it specifically. It becomes part of the flavor of
the story, of the characters’ backgrounds and understanding, rather than
specific details in the book.
Ruthanne: You
don't go in the water. You don't touch it. If you do, it will get you, drag you
down, and you're gone.
In the only world Harry has ever known, black water covers everything. Huddled in crowded island cities, human beings survive only because of the Sundered Ones: strange aliens with mind-bending powers, but very little will of their own. Everybody knows enslaving the Sundered is the only way to survive. Everybody knows claiming them also kills them, and slowly but surely, they're going extinct.
Harry has heard about the Hope of Humanity all his life - a legendary fix for this broken, drowning world - but when he claims a powerful, frighteningly intelligent Sundered named Aakesh, everything he knows about the Hope and The Sundered is shattered. Unless the Hope can truly change the world, a choice of genocides waits before him: either humanity will survive, or humanity's broken, Sundered slaves. There is no longer room for both.
In the only world Harry has ever known, black water covers everything. Huddled in crowded island cities, human beings survive only because of the Sundered Ones: strange aliens with mind-bending powers, but very little will of their own. Everybody knows enslaving the Sundered is the only way to survive. Everybody knows claiming them also kills them, and slowly but surely, they're going extinct.
Harry has heard about the Hope of Humanity all his life - a legendary fix for this broken, drowning world - but when he claims a powerful, frighteningly intelligent Sundered named Aakesh, everything he knows about the Hope and The Sundered is shattered. Unless the Hope can truly change the world, a choice of genocides waits before him: either humanity will survive, or humanity's broken, Sundered slaves. There is no longer room for both.
Paul: What inspired you to
write this book?
Ruthanne: A dream, believe it or not. I saw the whole
story from beginning to end, and then it was just a matter of writing it out.
Paul: What do you do when you’re not writing? Do
you have any hobbies or party tricks?
Ruthanne: Mostly,
I read. About a thousand years ago, I had literal hours of classical piano
music memorized. (I’d be lucky if I could plink out chopsticks now, but
anyway.) I read a lot, did I mention? I also cook a mean pancake. Oh, and I
read. A lot. As for party-tricks, I am limited to the silly skill of being able to arch my
eyebrows independently of one another. As across-the-table entertainment goes,
it works.
Paul: That was excellent, Ruthanne. I wish you every success for the future.
About Ruthanne Reid: Ruthanne has lived on both US coasts, owns dust-covered degrees in music and religion, and has a thing for popcorn.
Her first novel was all about characters from her favorite books, so no one will ever see it. (The dot-matrix printer made it into an impressive pile of paper, though.) Ruthanne’s love of Middle Earth, Narnia, and deep space birthed a strange world populated by elves, vampires, and aliens, and she donated many reams of paper (graciously provided by her parents) to this universe.
Then came years of pursuing a “responsible” career, and very little writing, which led to madness and a determination never to do that again.
Ruthanne lives in Seattle, and shares writing space with a husband, housemate, and a two cats, respectively. She can often be found at Grumpy D’s coffeehouse, or Mars Hill Church. The Sundered is her first novel.
Ruthanne's Blog: Ruthanne Reid
Ruthanne on Twitter: @ruthannereid
Ruthanne on Facebook: Ruthanne Reid
Ruthanne's latest book: The Sundered (Amazon)
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